I was ready to leave the area of the Holy Trinity Church, and was very impressed with the church. The churchyard was quite a nice one too and I would have liked to have spent more time in it.
The one guide at the church had advised me to look for the Guild Chapel in town as it was an interesting place, so with vague directions I retraced my steps to Bancroft Gardens. It was a hot day and there was a lot of activity on the Avon.
and there was even a chain drawn ferry…
I crossed over back into the craziness of streets and headed down a picturesque street, randomly taking photographs of the buildings.
And then I spotted a likely candidate and headed across to it.
The Guild Chapel was light and airy but there was a small party of people in the middle of the aisle talking to a guide and I was not able photograph the interior the way I wanted to.
I poked around, hoping to find a leaflet or pamphlet to understand the context but did not find one. However, the internet has come to my rescue:
“Founded by the Guild of the Holy Cross before 1269, it passed into the control of the town corporation in 1553, when the Guild was suppressed by Edward VI. The chapel stands on Church Street, opposite the site of William Shakespeare’s home, New Place, and has historic connections to Shakespeare’s family. The chapel was gifted an extensive series of wall-paintings by Hugh Clopton, an earlier owner of New Place, and John Shakespeare, Shakespeare’s father, undertook their defacement in the later 1500s. The paintings have recently been conserved.” (https://en.wikipedia.org/wiki/Guild_Chapel)
“The painting above is Doom’ – a large ornate scene which can be seen above the Chancel arch. To medieval worshippers its imagery would have been immensely powerful, and it remains a striking centrepiece today.
Doom is the Old English word for judgement and the Doom painting depicts the Last Judgement – Christ deciding the eternal destination of human lives. Doom paintings were commonplace in churches and chapels pre-Reformation; there to ensure people reflected on how they were living their lives. In the Guild Chapel’s Doom, Jesus sits on a rainbow in the centre, surrounded by four angels. Mary and St John the Baptist flank him on either side. On the left is the Kingdom of Heaven and all the good souls rising from their graves. On the right are all the sinners being tortured by demons and fed into the Mouth of Hell (depicted literally as a fanged serpentine creature which you can still clearly make out).” (Information from the Guild Chapel Website). There was a similar painting in St Thomas and St Edmunds Church in Salisbury
It would have been interesting to hear the stories behind the paintings but it did not seem like that would be possible. Besides, it was starting to get late and I really needed to find that bus stop.
Leaving the chapel I decided to continue with Chapel Street until I hit Bridge Street which was where the bus would stop (theoretically). Looking at Google Earth after the fact reveals that there was a lot more to see in this area so it may warrant a return trip one day.
The Falcon Inn opened around 1655 although the building dates from 1624 and no other building in the town has had a longer continuous history as licensed premises.
Bridge Street becomes Wood Street and I was now in the right place. It was just a matter of finding the bus stop.
And naturally at that moment the X18 Bus trundled into view and I followed it to where I had bailed out this morning. But, I was 30 seconds too slow as the bus pulled away before I reached the stop. The next bus was 13H05 and that was 30 minutes away. I decided that the time had come to hunt down a loo and take a further look around Henley Street and try solve the mystery of Shakespeare’s birthplace.
If anything the area was even more crowded and that image of the house evaded me. The building below is the Shakespeare Centre, and there did not seem to be a way to find out what went on in it without forking over at least £17.50. I gave it a miss, maybe next time.
It was time to hit the bus stop. If all went well I would only just be able to make my bus in Evesham without a long wait. However, the bus was 8 minutes late and then we got stuck in a traffic jam in Evesham for 10 minutes. By the time I got to my bus stop the bus had left 18 minutes ago and I was stuck till the next bus which left 45 minutes later. Such are the vagaries of of public transport.
Stratford-upon-Avon was in the bag and it had been an interesting morning. Return trip? maybe; there are quite a few other places in the town that I would like to look at, and of course there is that War Memorial in Bidford. It is do-able so one day there may be a “Return to” post. Total image count was 336, and some more are reproduced in the random image collection below.
Awhile ago I saw a bus in Evesham with a Shakespearean quote…
I filed that information away for later use.
Later use finally arrived this week and I decided to follow Romeo and head to Stratford-upon-Avon from Evesham. The bus is an X18 and the route it follows is: Norton, Harvington, Iron Cross, Salford Priors, Bidford-on-Avon, Binton and finally Stratford-upon-Avon with a frequency of one every 30 minutes. It was do-able and I did the navigation and packed my goodies and hit the road really early on what was a glorious weekend of summer weather. My map said that there were a few things worth seeing, although I would really aim for Shakespeare’s birthplace, the War Memorial and finally his grave. Anything else is incidental.
The trip was interesting because the route passed close Evesham Country Park where the Evesham Light Rail is; and that is also on my list of places to see. The villages seemed interesting, especially Bidford and I may do a morning trip out there as they have a very nice War Memorial which I managed to snap from the bus.
I was not too sure about where the bus stopped in Stratford although the timetable showed me a square with “Shakespeare’s Birthplace” on it, as well as a “Jester’s Statue”. However, our bus stopped very close to something called “The American Fountain” (aka the Shakespeare Memorial Fountain (which was slap-bang on the edge of the morning market) and a clear shot was not going to happen. The fountain was a gift of the American newspaper publisher and philanthropist George Childs, and was intended as a tribute to Queen Victoria, whose Golden Jubilee was being celebrated, to Shakespeare, and to the relationship between the USA and England.
There are a lot of inscriptions on the fountain, but the primary one reads:
THE GIFT OF AN AMERICAN CITIZEN
GEORGE W. CHILDS. OF PHILADELPHIA
TO THE TOWN OF SHAKESPEARE,
IN THE JUBILEE YEAR OF QUEEN VICTORIA’
It is a grade II* listed structure and it was unveiled on 17 October 1887. More information on the tower is available on the Historic England listing.
The town looks more or less like this:
Now where was this Jester? I followed a sign that supposedly led to “Shakespeare’s Birthplace” and that led me to a pedestrianised street that had an old house almost in the centre. I could not find any signage or information board on the house so can’t assume anything yet. However, looking at the map above it appears that I should have gone around the back of the house. Now that’s kind of illogical. The position of the sun and constant foot traffic made getting a proper front view almost impossible so I settled for the next best thing. The house is a restored 16th-century half-timbered house situated in Henley Street, and it is believed that William Shakespeare was born there in 1564 and spent his childhood years there.
The Jester Statue was close by too.
It portrays the Jester ‘Touchstone’ from the play ‘As you like it.’ The inscription reads:
“The fool doth think he is wise but a wise man knows himself to be a fool.”
and another reads:
“O’ noble fool, a worthy fool”.
The statue, is by James Butler MBE of Radway, and is a gift to the town by one of its local businessmen, Mr. Anthony P Bird OBE. It unveiled in 1994.
So far so good, what else was in the vicinity? I looked around the shops and there was a Peter Rabbit, Harry Potter and a Teddy Bear shop interspersed with the usual gimmicky souvenir and coffee shops. It did not inspire confidence I am afraid.
The timber frame buildings were beauties though, but some may have been modern reproductions too. After a quick loo break I found myself close to the waterfront and canal basin which was more or less where I wanted to be. It was quite a pretty area with lots of boats and swans and a lock gate and a memorial that I wanted to investigate. I decided to snack and have a look around while I was in the area.
The memorial I wanted to see is known as the Gower Memorial or Gower Monument, and it comprises a round pedestal on a square plinth with a figure of Shakespeare deep in thought and seated in casual pose, holding a pen and scroll.
There are four detached small plinths to the corners, each with a bronze figure of a Shakespearean character.
The monument was constructed in Paris over a 12 year period between 1876-1888 by Lord Ronald Gower and various associates and craftsman. It was unveiled at a ceremony attended by Oscar Wilde on 10 October 1888, at its original location in gardens to south of the Memorial Theatre. The monument was moved to its current location in 1933 following the rebuilding of the theatre after the devastating fire of 1926. It is a Grade II* listed structure. (Text from Historical England entry).
I have to admit this was a very impressive memorial, and it was really worth seeing. The Google street view does not show the monument as it is hidden behind two vehicles which made it very intriguing. I recrossed the bridge over the canal which a narrow boat was busy transiting. The canal connected to this is the Stratford-upon-Avon Canal.
I consulted another map that would show me my next destination which was the grave of Shakespeare. I had marked off the location of the War Memorial too, but completely forgot about it at this point. It was not too far away and no long detour would be needed to get there. I could cut across an area known as Bancroft Gardens and grab any interesting images along the way. The small monument below was erected to commemorate 50 years of peace between the nations of Western Europe 1945-1995.
Young Will by Lawrence Holofcener, Sculptor
The Country Artists Fountain was made for the 800th anniversary celebration of the granting of the Charter for Market Rights by King Richard I (the Lionheart) in 1196. The fountain was sculpted by Christine Lee and is made of stainless steel and brass. It was unveiled by the Queen in 1996.
In the near distance was a large building which is the Royal Shakespeare Theatre and the Swan Theatre. Unfortunately the former did not photograph well but I did get a great photo of the latter.
The street I was now in was called Southern Lane and it ran into Old Town Street. The Remembrance Gardens are situated where the two streets intersect, The memorial was not my primary goal on this day though, but it was nice to find it so close to my final goal.
There are at least 4 separate memorials in the garden and I will dealt with them in my blogpost at allatsea, suffice to say the garden is well kept and pleasant to visit.
William Shakespeare is buried in Holy Trinity Church, Stratford-upon-Avon, and the church has coachloads of visitors coming to see the final resting place of the Bard. It is an old church with an extensive churchyard and I was not the only person there on this day.
The church exterior is difficult to photograph as it is quite large but well treed and the sun is behind it making a decent image a non event. Inside it was quite impressive, but there was a large crowd inside the Chancel where the grave is. I decided to wait for things to quieten down and then try my luck.
The handout gives the following information: The present building dates from 1210, with the oldest sections being the tower, transepts and nave pillars. The North and South Aisles were added in the 1300’s and the Chancel in the late 1400’s. William Shakespeare was baptised here, he worshipped here and he is buried here.
The Clopton Chapel is very impressive and it contains the tomb of Joyce Clopton and her husband George Carew, Earl of Totnes (d 1629). There are also effigies of William and Anne Clopton.
And then things had quietened down and I was able to get into the Chancel to see the grave.
There are 5 graves beyond the railing and the first two on the left are of Anne Hathaway, the wife of William Shakespeare (1556-1623) and next to her is the grave of William Shakespeare (1564-1616). The other graves are of his daughter Suzanna, son-in-law Dr John Hall and Thomas Nash, his grandson-in-law.
The inscription on his grave reads:
Good friend for Jesus sake forbeare, To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he that moves my bones.
There is a bust of the Bard close to the grave that was commissioned In 1621 by Shakespeare’s son-in-law, and it was made by Gerard Jansen, and it is considered to be a good likeness of him.
The inscription reads:
Judicio Pylium, genio Socratem, arte Maronem Terra tegit, populus moeret, Olympus habet.
Stay, passenger, why goest thou by so fast? Read, if thou canst, whom envious death hath placed Within this monument: Shakespeare, with whom Quick nature doed; whose name doth deck his tomb Far more than cost; sith all that he had writ Leaves living art but page to serve his wit. Obiit ano doi [anno domini] 1616. Aetatis 53. Die 23 Ap.
In 2016 a non-intrusive GPR survey also revealed that the Shakespeare family members were not buried in a large family vault but in shallow graves beneath the church floor. William Shakespeare’s and Anne Hathaway’s graves are less than a metre deep. The findings also suggest Shakespeare and his family were not buried in coffins but simply wrapped in winding sheets, or shrouds, and buried in soil. It also revealed that the skull of William Shakespeare was missing.
It was almost time for me to go, I took some photo’s and made my way back to the nave and looked for the church War Memorial while another large coach party was filling the space I had just vacated.
The church is very beautiful and there was a lot to photograph but I am running out of space in this post. Unfortunately I regret being unable to get a proper full image of the church but that may be possible from across the river (makes note for next time). I will however leave some random images and will continue overleaf
One of the reasons for my visit to Great Malvern was to see Malvern Priory, and I was not disappointed. What is the difference between a Priory and a Cathedral? The internet gave me this answer which more or less is what a former minister told me at the Priory.
Cathedral: Any church (regardless of size) that is the seat of a bishop and therefore has a cathedra (literally a teaching chair or seat, usually in the form of a throne).
Priory: A monastery headed by a prior, who is subordinate to an abbot, analogous to priests being subordinate to a bishop. Usually the prior also wears a type of cross around their neck as a badge of office.
The Priory I was visiting on this day was a former Benedictine monastery c. 1075 – 1540 and is now an Anglican parish church. It also has the largest display of 15th-century stained glass in England.
It is bounded on one side by the churchyard which has quite a lot of legible headstones but I did not really tarry in the churchyard for a change.
The interior plan conforms to what most Anglican churches look like in shape, although parts of the building are much older than others. The plan below I scanned from the information leaflet I got at the Priory. I will try to show images of as many of the markers as I can.
Entrance to the building is underneath the scaffolding in the image below.
I was very surprised when I went inside because the building is wonderfully light and airy and does not have the heaviness of many of the churches I have been in. The stained windows are absolutely spectacular although they are impossible to photograph and to do them justice.
The church was a monastery for over 450 years until in 1541 it was bought for the princely sum of £20 by the local people to save it from destruction, it has served as the parish church for Great Malvern ever since.
There is a very beautiful memorial to Sophia Thompson who passed away in 1838, in the North Transept.
and there are two magnificent “Millennium Windows” that were installed in 2004.
St Anne’s Chapel is equally beautiful.
The Misericords (mercy seats) in the chancel look very solid and uncomfortable and they must have been very bad for the rheumatism in winter. Actually the word I would use for them is “unforgiving.”
And do not forget to look up! This is the ceiling of the crossing between the two transepts.
The organ is by Nicholson of Malvern from 1879, but was heavily rebuilt and restored by Rushworth and Dreaper in 1927 and 1977. It was further overhauled by Nicholson in 2003 and is a Certified Historic Organ
The War Memorial is a very beautiful one and may be found at the back of the Nave and opposite the entrance.
The Font is close by as is the memorial to Henry Edward Francis Lambert. The bowl of the font dates back to the Normans.
Looking back towards this memorial from the crossing you can see the large organ on the left. Between St Anne’s Chapel and the Chancel is a fine memorial to John Notsford and his wife Jane who both died in the 1580’s. After the dissolution of the monasteries in 1539 John Notsford bought most of the Priory land and monastic buildings. His daughter Anne is kneeling at the foot of the memorial.
One unusual feature that I saw were a wall of tiles that were made locally in the 15th century in over 100 different designs.
One quirky item I discovered is outside the walls although it has a direct connection to the Priory and is worth investigating.
“Prior Walcher. The second Prior at Great Malvern, Walcher of Lorraine, may have been England’s first astronomer. In the 9th century, when Arabic scientific scholarship was world leading, Lorraine in north east France was a route for advanced Arabic knowledge to spread through the Medieval West.
Having learnt in Lorraine to predict eclipses, Walcher became famous for observing celestial events with an astrolabe and created tables charting the dates of new moons from 1036 till 1111. He translated an important scientific work into Latin, making it accessible to English scholars and helped to introduce Arabic numbers to England.” (Information disk on railing)
Inscription on the coffin lid in St Anne’s chapel – rescued from burial at the site of the South Transept cloister garth c1711.:-
“PHILOSOPHUS DIGNUS BONUS ASTROLOGUS LOTHERING VS/VIR PIUS AC HUMILIUS MONARCHUS PRIOR HUIUS OVILIS HIC JACET IN CISTA GEOMETRICUS AC ABACISTA DOCTOR WALCHERUS FLET PLEBS DOLET UNDIQUE CLERUS HUIC LUX PRIMA MORI DEDIT OCTOBRIS SENIORI VIVAT UT IN COELIS EXORET QUISQUE FIDELIS MCXXXV?”
“Worthy philosopher, good astrologer, born in Lorraine, a pious humble man (monk):
Prior of this sheepfold (monastery); here lies in his coffin, a geometrician and
For Walcherus the people weep: the clergy everywhere grieve. The first light of October
brought this old man death. Let every faithful man pray that he lives in Heaven.
There are a number of other buildings outside the Priory that connect to it. The most visible being the gatehouse which is now a museum. Unfortunately I could not get a clear shot of the front of the building.
I was hoping that the back of the building would match the front but it doesn’t.
This building is the Abbey Hotel, although I am not sure what part of it is hotel and what part is not.
The Priory is walled on the one side so it is not easy to get an image of that side of the building, however I did manage a few great angles.
That concludes my visit to Malvern Priory. It is a beautiful building and in a very good condition. It is light and airy and very welcoming. It was definitely different from the Cathedrals I have seen and it is slightly smaller than Tewkesbury Abbey. And like our Abbey it is a survivor, and long may it be with us.