As I said in a post awhile ago, “connections” is all about how things connect to form a link between one action and a result. It can be fascinating to work your way through a series and to tie it all together. I have been looking for a nice set of connections and today I found one. I call it “It’s a Record” and it is about gramophones, records and popular music.
This morning I was discussing something with the one manager and somehow we ended up talking about gramophones, and he mentioned that he had a record from 1908 that he can play on his vintage gramophone but was not too sure about what it was about, but he could make out something about “bells bells bells”. When I returned to my desk my brain would not let this go because in my music collection there is also a song about bells. Could it be a newer iteration of an old theme? Unfortunately the track I was after is not on my MP3 player but I know enough to be able to tie this into that most famous of poets Edgar Allan Poe.
I have read some Poe, and always found it somewhat dark and dreary to ponder this long forgotten pile of ancient lore, but I also have on my MP3 player an LP by one of my favourite groups: The Alan Parsons Project. The Project released a studio album in 1976 entitled “Tales of Mystery and Imagination”. To quoth the blurb at Wikipedia “The lyrical and musical themes of the album, are retellings of horror stories and poetry by Edgar Allan Poe. The title of the album is taken from the title of a collection of Poe’s macabre stories of the same name, Tales of Mystery & Imagination, first published in 1908″. This date is important, keep it in mind.
Now I have been listening to Parsons since 1981 after I was introduced to the music by some of the guys in our infantry company and I was hooked, and over the years bought the LP’s as they came out. But then the CD came into being and the record stopped being the dominant way to own music, and the CD took centre stage. I never liked how they foisted the CD onto us so I stopped buying music, instead I would listen to my old LP’s on my hifi until that was stolen in a series of burglaries in 1999.
I rediscovered The Alan Parsons Project in 2004 and found out that they had a whole wodge of stuff I had never heard before and I gradually acquired it all on MP3 and occasionally CD. Something however was missing from the official releases that I knew about and here my information is a bit uncertain. One of the original members of APP was Eric Woolfson, who was executive producer, pianist, and co-creator of the Project. He was an accomplished musician in his own right, and somewhere along the line I heard about a project that he was involved in called “Poe: More Tales of Mystery and Imagination“. I heard snippets of it and started to hunt down a copy, but alas trying to find something as obscure in South Africa was incredibly difficult due to monopolies in the retail music trade, the exchange rate and the lack of suppliers. I eventually managed to pick up one track at a time from various sources, and some were totally amazing (“Tiny Star”, “Immortal” and “Wings of Eagles” comes to mind almost immediately), others were strictly of the “listen to once, never again” class of music. One of the tracks on this LP that did not exist was called “The Bells” (see where we are going yet?).
When I heard those words this morning I thought of this piece of music, it is not one of my favourites because it is so strange, however, the LP is about the works of Edgar Allan Poe, could this be the same one? A quick Google and voila! The mystery is solved.
It turns out that our 1908 recording of “The Bells” is a reading of the poem by Canon Fleming of London, who seems to have been quite a regular performer of poetry readings that ended up on those new fangled gramophone records like the original 1908 record in the image below. It is very possible that this was released to tie in with the first publication of Tales of Mystery & Imagination in 1908!
Unfortunately we do not have a handy gramophone at work, but a quick look found renditions of it available on Youtube. And, I rate it on the same scale of strangeness as hearing “Be British” sung by by Stanley Kirkby in 1912 following the sinking of the Titanic. These are really voices from the past of people long gone and an era that is very different from the one that we live in now.
Canon Fleming died in 1908, but his voice still exists on that round disk with a hole in the centre, and while his rendition of “The Bells” is somewhat melodramatic it really has to be taken in the context of the media that it was on. Families owned gramophones and would spend an evening listening to music or poetry readings on the gramophones (while their Fox Terriers listened at the bell end). I am currently reading Memoirs of an Infantry Officer, penned by the war poet Siegfried Sassoon and in it he describes how they used to listen to the gramophone in their dugout, and how they had a stash of records that were played over and over. We did a similar thing when I was doing my national service, only our gramophone was now a tape recorder or a portable radio. We certainly did have much more variety than those who rode out their time underground in the bunkers of WW1, and of course modern soldiers probably carry MP3 players or their music on their cellphones. The enjoyment of recorded media is common to us all.
So, where did this all tie in together? It was really the remembering of that obscure piece on “More Takes of Mystery and Imagination” that rang the bells in my head, and of course had I not read Poe I would not have made the connection to the Alan Parsons Project, which I started to explore while in the army, listening to music to break the monotony, much like soldiers did in the trenches of battle. There you have it, another nice set of connections.
As an aside I really want to explore the portable music theme by finally posting images of two of the record players I have spotted locally in the one charity shop where I live.
These are standalone record players that were used without a hifi or an amplifier. They usually had their own speaker attached, and most of the time that was in the detachable lid.
The humble gramophone is a very nice collectable, and having a selection of records to go with it, whether they are tinplate, shellac or vinyl makes it a wonderful conversation piece, because most of us can relate to it from our past. Those odd crackly clicks and hisses from the speaker or horn gave those records an additional richness that is lacking in the digital reproductions of today. I know amongst my MP3 collection I had an MP3 that had been created from an audio recording of a vinyl record, complete with the attendant snaps and crackles from the original. There is something about that first touch of a stylus on a record that is missing from the MP3’s of today, not to mention that short burst of static that was a precursor to the actual music.
Canon Fleming is buried in Kensal Green Cemetery in London which ties into my own visits to the cemetery in 2013 and 2016, although I was unaware of him at the time (writes note to self to find grave next time). As for “Be British”; many years back when I was still interested in the Titanic I bought a set of items from the UK (and it was one heck of a rigmarole to do), and part of it was an audio tape that had some of the period tie ins to the disaster. “Be British” really stood out because it personified the arrogance of those who decided that a ship was unsinkable, and would only carry enough boats for its size and not for the amount of people it carried.
And that more or less concludes this post about connections. I hope to find more in the future because they are always around us if we only just stop and join the dots.
© DRW 2017-2018. Created 30/10/2017